Koodevide (Where is your nest?)

After watching Padmarajan’s Kariyilakkattu Pole, I just couldn’t wait to get my hands on the rest of his movies. Then my friend reminded me that he had given me a whole lot of them (with subtitles) earlier. So, I am in movie heaven 😊

I love such real life paced movies. Koodevide is set in Ooty, where Alice (Suhasini) teaches in a boarding school. She lives with her brother who is in the army along with Captain Thomas (Mammootty). Alice and Captain Thomas like each other.

A local MP’s son gets transferred to the school where Alice teaches mid-term. He had been shunted across various schools and was taken in by the Principal only because of the MP’s pressure. Ravi (Rahman) is a troublemaker from the word go. He gets caught in Alice’s class and is sent to the Principal’s office for a warning. Principal instructs Alice to be strict with him and not give him any leeway. Infact he can’t wait to throw Ravi out of the school. Alice feels sorry for the boy. In a heartfelt moment, she notes – what is the hope for the boy when the entire world is waiting for him to become a criminal.

From then on, Alice starts paying special attention to him, giving him responsibility and encouraging him. She also learns that his mother died at a young age. In her own way, she tries to be the motherly figure for Ravi. Soon we see remarkable progress in Ravi.

Meanwhile, in an unfortunate training accident Alice’s brother dies. Bereft, she decides to focus more on her work. She and Capt. Thomas also come close and decide to tie the knot soon.

One of the evenings Ravi comes to Alice’s house to give her something when Captain is also there. He does not like Ravi at all and suspects his intentions. Alice ends up seeing a very angry and jealous Thomas. Till now, with her brother, he had always been jolly and easy-going, albeit prone to too much drinking. Alice is a little surprised to see this side of Thomas and tries to reason with him.

Soon after this, Thomas starts objecting to Alice meeting Ravi and throws violent fits of anger whenever he sees them together. He ends up drunk at her house at midnight and creates a storm.

Alice starts revisiting her decision to marry Thomas which further enrages him.

In an inebriated state, Thomas comes looking for Alice, and not finding her goes to various places she is likely to be found. He bumps into Ravi and starts abusing and hitting him. A fight ensues and Ravi is accidentally killed.

Repentant, Thomas surrenders to the army police.

This is one of those reviews where the summary will not do justice to the movie. It is next to impossible to capture various nuances in the movie.

The scenes from the boarding school and the teenage love of Ravi for a fellow student will instantly take you back to your school days. And we all have that one teacher who guided and mentored us.

For me the movie belonged to Mammootty. His transformation from a brother’s friend into a jealous and irrational lover and gradual and riveting. From periods of sanity and regret to violently laying his claim on “his woman” – Mammootty is par excellence.

This is the kind of movie I wish, the international film festivals for critically acclaimed cinema saw. At par with Fellini and Bergman. Human emotions in their most complex form shown ever so subtly.

Rahman has done a good job as a teenage boy embroiled in situations outside his comprehension.

Padmarajan is a director par excellence. His kind of movies is the reason I started this blog. In my own small way to make people aware of the great cinema that India has.

Must watch.

Kariyilakkattu Pole (Like a Zephyr of Dry Leaves)

Even before I start writing anything about the movie, I want to confess that I am in love with the name of the movie. It is like reading the first line of a Kamala Das or Amrita Pritam poem. And it becomes even more sublime when you consider the fact that the movie is not a sufiana ode of love and longing, it is a crime\mystery\thriller.

Mystery dramas are my guilty pleasure. I read and re-read Agatha Christie, Feluda, Sherlock Holmes etc. like a maniac. I watch all mystery shows on TV and movies of this genre. Lack of good mysteries (and not crime\thriller) in Bollywood movies is my constant source of consternation.

Thankfully Malayalam movies come in handy. The fabulous CBIseries, Paleri Manikyam: Oru Pathira Kolapathakathinte Katha (Amidnight murder story). Add to these Mammootty and Mohanlal starrer Kariyilakkattu Pole. I could not guess the killer till the very end :)

The movie starts with the dead body of a noted film writer and director Harikrishna (Mammootty) at his cottage where he retreats while writing. DSP Achuthankutty (Mohanlal) is assigned to investigate the murder. The investigation team finds various clues at the crime scene, all of which point to the fact that a woman had committed the crime.

The only problem is that it is soon revealed that there are at least three women who had a grudge against Harikrishna in addition to the fact that he was an incorrigible womanizer.

I always hesitate when I write about a murder mystery because, I don’t want to give away any indication about the killer. In this case, all the three women seem to have a strong motive for murder and each of them is hiding something during the investigation.

All the actors in the movie have given excellent performances. The ambiguity of Mammootty’s character where you never know his true intentions, the calm yet commanding demeanour of Mohanlal and the shroud of secrecy surrounding the characters of Karthika, Sripriya and Unni Mary will have you riveted to your seat.

P. Padmarajan who wrote and directed the film has kept the movie fast paced and editing crisp where every moment takes the story forward.

For those who love this genre, you will not be disappointed.

Do Watch.

Pranchiyettan & the Saint

I have been a little disillusioned with movies in the recent times. Nothing worthwhile to watch... I mean every time I switch on the TV, I can just somehow manage to watch a record breaking ten minutes of “Chennai Express” before I switch the channel and that is the biggest hit of the year. And so while I have all the time in the world yet no will to watch any movie.

So after long I picked up this Mammootty movie and I must say it was an excellent movie to watch. There is no one like Ranjith to take the simplest of tales (he does that to complex ones as well ;)) and transform them into a story which tugs all you the strings of your heart, Nandanam being a classic example.

But not to divert - Pranchiyettan & the Saint is a beautiful tale of an uneducated, highly successful businessman with a golden heart. His only wish is that people should look at him with the same respect as they would give to an educated person. Even though he donates to all kinds of causes, he never gets the social status he so desires. He tries all tactics from running for presidency of a local club to donating to political parties and temple festivals but most outrageous of all, tries to buy Padma Sri for himself as he is conned into thinking, it is up for sale - all with hilarious outcomes.

Then enter Padmashri (Priyamani) and a boy who is failing in exams and with a tragic life and everything changes.

While the story might seem ordinary, what makes this story extraordinary is superlative acting of Mammootty and beautiful direction by Ranjith.

The movie has its comic moments and is very light hearted but still keeps you glued to the screen. I personally don’t think great stories or movies have to be necessarily complex tales with tragedy and complex emotions. Some of the best movies are simplest characters played honestly and the most mundane of tales told well.

Mammotty is par excellence and great storytelling by Ranjith.

Do Watch.

Nerariyan CBI

(An unnatural story told in a natural way)

I am always nervous when I write a review for a mystery. You have to tell a story without actually telling it. This movie is murder mystery, fourth in the sequence of investigative thrillers starring Mammootty as a CBI officer.

The story starts with four friends spending a day at the ancestral estate of one of the friends. The estate has a worship room which has been locked and is considered cursed. During the night one of the girls not related to the family is found dead outside her bedroom near a staircase. Her death is written off as supernatural and the case is frozen. Four years later a young IPS officer, fiancé of one of the girls contacts his superior Sethurama Iyer (Mammoottyy) to solve this case which has been troubling him.

Sethurama Iyer, relooks at the fundamentals which the police at the time of enquiry ignored. His investigation reveals a story about almost all the family members, all of whom could have had a motive for killing the girl.

What I liked about the movie is that like a typical “Agatha Christie” novel it has you guessing till the end. The movie is sufficiently fast paced without being melodramatic (except the background music every time Mammootty comes onscreen). It has enough twists and turns to confuse you and keep you riveted.

I personally love murder mysteries and all sort of detective thrillers.

Direction and editing are crisp and Mammoottyy plays the suave, persuasive yet firm CBI officer brilliantly.

A pleasant break from dull romances and run of the mill stories.

The movie is available with Moser Baer with subtitles.

Do Watch.

Kerala Varma Pazhassiraja

This movie is a historical biopic. Since I don't really know about this historic character, I will just review the movie as a story, though I understand it will be limiting and not really do full justice to the movie.

It's the story of a prince who stood against the Britishers to save parts of modern day Kerala from their enslavement. To defend Kottayam and surrounding areas against Tipu Sultan, Pazhassiraja joins army with Britishers while his fellow kings run away. After the victory, britishers levy ncreasingly higher taxes in farmers resulting in social uproar. the taxman appointed by Britishers is a former aide of Pazhassiraja and he (Chandu) commits atrocities under Pazhassiraja's name. Britishers attack Pazhassiraja's palace, seize his property and wealth forcing him to run away.

Pazhassiraja along with his trusted army chief starts gathering army to fight against the britishers. He is joined by the tribal chief and his wife along with their armies. The rest of the movie is Pazhassiraja's resistance against Britishers and Chandu's evil plans to defeat him.

While I am not a great fan of period movies, I must say that this movie is quite commendable. Remember Jodha Akbar with super ornate and glamorous sets, melodrama by everyone at the drop of a hat - this movie is exact opposite. Extremely simple and realistic sets depicting the era.And of course Mammoottywith his superb performance. With every movie that I watch, I realize the finesse with which Mammootty acts. Rest of the cast is also good except maybe for the actors playing the Englishmen. They are slightly clueless and abrupt.

Slightly slow, but then it is expected of a period movie. It is M T Vasudevan Nair's script and thus worth watching just for that.

Even if you dont know this part of history, it is worth a watch and I would say that bollywood contemporaries can definitely take a page or two (actually the whole book with a version for dummies) from Hariharan (Director) and the rest of the crew on how to make period movies.

The DVD is available with subtitles with MoserBaer - Kerala Varma Pazhassiraja

Do Watch.

Twenty:20

Firstly I must say it's a feat in itself to pull off a movie with the stellar star cast as that of this movie. Mammootty, Mohanlal, Dileep, Suresh Gopi and all others. The director and the producer have truly done a remarkable job in getting all these people together.

Now about the movie, which is a murder mystery of sorts, has enough twists and turns to keep you riveted. Arun, grandson of a famous retired judge is Implicated in murder of a student. Ramesh (Mammootty) is a famous advocate who comes to the rescue. Arun is declared innocent and released. But soon Arun is murdered and police arrests Devan (Mohanlal) for the murder. His mother and sister request Ramesh to take the case, pleading innocence.

Ramesh believes Devan to be innocent and agrees. Devan is released. But soon Ramesh realizes that something is amiss and starts investigating. Thus unravels a complicated story of revenge, deciet and murder.

While performances, given the star cast, are stellar, it is the story which lacks crispness. The initial builtup of the judge Vishwanathan is quite useless, similarly the revenge motive of the SP (Suresh Gopi) stressed at various points in the movie does not play any part in the plot.

Another weakness is the timing of the twists. Unlike an Agatha Christie novel, where the plot changes just when you guess the murderer, here the twists come a second too soon or too late taking the edge out of the story. Also the movie could have done with massive editing.

Overall an interesting plot and good performances.

Can watch.

Kerala Cafe

There are two parts to the story of Kerala Café. One the individual stories and secondly the thread or the background that ties the stories together so that in spite of being ten different stories they look like a montage.

Let me first talk about the stories individually. (To give a perspective on stories relative to each other, I have tried scoring them on a scale of 5)

First story “Nostalgia” starring Dileep. The concept reminded me of a book “Ignorance” by Milan Kundera where he explores the whole idea of nostalgia. He says – “The Greek word for "return" is nostos. Algos means "suffering." So nostalgia is the suffering caused by an unappeased yearning to return…nostalgia seems something like the pain of ignorance, of not knowing.” The problem is that when you return to a place after a long time your memories no longer match. It’s just your attempt to recapture your experience of the past. The movie tried to explore the same concept through a Keralite living in Dubai. While in Dubai he fondly remembers his village, the cool breeze and the green fields and sings the songs he heard as a child. But when he returns the same things irritate him and he misses his structured and comfortable life in Dubai. Interesting rendition with excellent acting by Dileep. I only wish the director had only explored this feeling and not confused it with the usual story of a petty rich guy exploiting a poor friend. (4/5)

The second story starring Prithviraj is called “Island Express” and is in itself a montage on lives of people who died in a train accident. From narration and story perspective I found it very weak. The director tried exploring too many facets in a very limited time frame and thus was not able to do any justice to any of it. The story follows a writer (Prithviraj) who survived the train wreck as a boy and goes on to write a book about the survivors and those who died. The interesting bit was how the driver who survived, lived on with his guilt and acceptance. (2/5)

“Lalitham Hiranmayam” stars Suresh Gopi has a conventional story but what makes it interesting is the ending. A man can’t decide between mistress and wife, loves both and wants to do justice to both. (Why I scoff at the story is a different discussion all together). Well directed. (3/5)

Next is the story of a haunted house “Mrityunjayam”. There is no reason why this story should have been included. A team of reporters who investigate the paranormal want to spend a night in the haunted house in a small village. One of them stays there and what happens to him is the story. Bad acting, bad direction and very uninteresting story. Horror is yet to come of age in India. (0/5)

“Happy Journey” directed by Anjali Menon is one of the jewels in the collection. A middle aged man sits next to a young girl in a bus. He tries to strike conversation and gets uncomfortably close to the girl. Initially the girl is very cornered and seems helpless. But at one point the conversation takes a turn and the girl confesses that she has kept bomb in the bus and can activate it with the press of a key on her cell phone. The rest of the journey the man experiences abject fear. The story has both serious and humorous undertones. The performances by both the girl and the man are excellent. An ideal short film with an interesting story with a twist and crisp direction. Reminds me of Roald Dahl’s short stories. (5/5)

“Aviraman” starring Shwetha Menon and Siddique is the story of an IT entrepreneur who is seeing some bad times during the recession. A subject which will resonate with a lot of people these days. This short film is warm and the subject has been treated very well without melodrama. Simple story but makes for a wonderful watch due to wonderful chemistry between the couple and thought out direction. (3/5)

Next story is a very humorous take on recession and the global nature of recession at that. Suraj does odd jobs at beaches of Goa and acts as guide for tourists. Due to off season there are not many travelers. By sheer luck he ends up meeting a Portuguese couple. Hoping to make some money from them, he takes them to a lodge for stay where the story takes a brilliant twist. It actually had me in splits. (4/5)

"Bridge" is easily the best story of the series. T. R. Unni (writer) has managed to stitch two separate lives in a wonderful mosaic so that you can’t take your eyes of it. The story follows two separate lives, one of a cat adopted by a little boy and later thrown out by his father and that of an old woman who has become a burden on her family. Anwar Rasheed has done full justice to the concept through his superb direction. Nice background score, this one had me riveted. (5/5)

Revathy directs “Makal”, a typical story of exploitation of mine workers where the parents give up a girl for adoption but she ends up in prostitution. You just expect the ending from the first scene. The children are endearing though. Stale is the word that describes the movie. (1/5)

“Puramkazchakal” is directed by Lal Jose and stars Mammotty. The story narrated by Sreenivasan is of a man who gets into a state bus and is constantly asking the driver to hurry constantly annoying the passengers on board. All of them curse and abuse him till he finally gets down at his stop. The ending tears your heart and will bring tears to your eyes. The movie makes you realize that you can never know the reasons behind a person’s actions. No matter what you guess, it’s not enough. A beautiful story, well directed with brilliant performance by Mammotty. (5/5)

Now coming to the direction of Renjith of “Kerala Café”, which he explains in a prologue to the movie. I can understand Renjith wanting to make sure that people sit through the movie and understand the motivation, but seriously it was a wee bit annoying. Also I think it is Renjith who fails in this movie. The individual stories had a lot of potential but they needed to be painted together on a canvas. The concept of a café is good where all these people spend some part of their lives but it’s not enough. It needed a little more depth and interaction. He just scrapes though it. (2/5)

Overall a movie worth watching with some brilliant moments.

(Do watch)

Paleri Manikyam: Oru Pathira Kolapathakathinte Katha (A midnight murder story)

Most of the movies I appreciate or the way I see them is with the premise that there is a core of the movie, then the backdrop and then the supporting characters that help take the movie forward. The supporting characters, backdrop might have their own story and significance, but the better movies do not make them larger than the core.

The movie Paleri Manikyam can be reviewed from many perspectives – politics and use of power in Kerala during fifties, atrocities of feudal lords and exploitation of poor, psychological analysis of what drives people towards certain actions etc.

I see the movie as a murder mystery against the backdrop of dictatorial feudal system and play of politics in the society. And as a murder mystery, it keeps you guessing till the end.


Haridas (Mammotty) is a private detective who is intrigued by two murders which were committed the night he was born at Paleri. The murderer was never convicted for the lack of evidence. Haridas wants to go back and unearth the truth and he is accompanied by crime analyst Sarayu in his quest. Almost fifty years after the murder, he travels back to Paleri to meet anyone still alive who can shed some light on the case.

Manikyam (Mythili), bride of a poor low caste Pokkan is brutally raped and murdered soon after her marriage. Pokkan’s mother Cheeru (Shwetha Menon) tries to cover it up as an epileptic attack but the police soon decides that it was a murder. The main suspect is the wealthy and powerful Murikkum Kunnathu Ahmed Haji (Mammootty) who is notorious for his affairs with beautiful village women. Infact Cheeru, Pokkan’s mother was also his mistress at some point in time. His two men are caught as accomplices but for lack of evidence are evicted by the court.


Since no one associated with the murder is alive today, Haridas tries to reconstruct the crime mainly by the versions of some village folks, like Barber Keshavan (Srinivasan) who was a communist party worker. It appears that at that time Haji was sheltered by the leaders of the party. Various reports and facts were buried and not brought to light. There was another murder at the same time which was never linked to Manikyam’s murder.

During the movie we also learn why Haridas has such unusual interest in the murder. The most interesting aspect of the movie is the narrative where Haridas narrates most of the events and moves along with the characters and which brings together the present and the past in a surreal way. Also notable is the way each character tells their version of the events such that you can almost feel getting closer to the truth but not quite there. Also with each character’s narrative you also get to see the various shades of their lives and the society they live in.

Haridas’ quest ends when he meets the eldest son of Haji, Khalid (Mammotty) during the climax.

The cinematography of the movie is pretty neat and Renjith has recreated the Kerala of yester years with brilliant finesse. The background score, not overwhelming gives a lot of character to the movie. The only place where the movie lacks is that there are a little too many characters and thus a lot of loose ends. For some of the characters there is no apparent reason for their actions. The movie could have definitely done with some editing to make the script a little crisper. Mammotty comes in three different roles but shines out as Haji.

Interesting, fast paced, quite gripping, well executed.

(Can Watch)