Ennum Eppozhum (Forever and Always)

Manju Warrier and Mohanlal are two of my favourite actors. Few can replicate their talent as well as versatility.

Ennum Eppozhum is a simple story of a journalist Vineeth N Pillai (Mohanlal). He is a senior journalist with a women’s magazine. While he appears to be lazy, unkempt and late for everything, he is respected journalist with many path breaking stories to his credit. There are references to his mother who is portrayed as a larger than life, principled and well respected lady. Now no more, she was apparently also a friend\colleague of the owner of the magazine. The publication is now being headed by Kalyani (Reenu Mathews), the daughter of the owner. She is London educated and has a lot of new ideas for the success of the magazine. She and Vineeth don’t get along.

One day there is a news about Advocate Deepa (Manju Warrier), who protested the bad state of roads after falling into a pothole which prompted the high court to question the government. She is applauded by all and Kalyani wants to do a cover story about Advocate Deepa. Against her wishes, her mother tasks Vineeth with this assignment.

Deepa is a conscientious lady who lives with her daughter, is a lawyer and dancer and stands up for what she believes is right. Her neighbour is retired postmaster Kariachan (Innocent) and his wife, who dote on her daughter and always look out for her. She is close to her friend Farah (Lena Abhilash) who visits her from Palakkad occasionally.

Vineeth tries to interview Deepa but she refuses repeatedly. This leads to a scuffle between Kalyani and Vineeth and he ends up resigning. Later he joins back after Kalyani’s mother intervenes. Meanwhile, Deepa and her daughter meet an accident while she is riding her scooter. Vineeth is near them at the moment and rushes them to the hospital. There Deepa receives a court notice from her ex-husband for being an irresponsible mother and the lawyer takes away her daughter.

Vineeth vows to help her. He by chance bumps into the taxi who had hit Deepa, and learns that this was all done at the behest of the ex-husband. Deepa takes it to court and regains the custody of her daughter.

Unfortunately, the movie hardly has any story. There is nothing wrong in telling the story of two ordinary people, but then for it to be worthwhile, they must be put in some extraordinary situation. Even though these roles are a forte of Manju Warrier, unfortunately here she fails to leave a mark mostly because there is no story. There are some comic moments but they are also half-hearted and fail to create an impact.

The director, Sathyan Anthikkad failed to utilize a stellar star cast and misses the mark completely. Music is good and there were a couple of songs I quite liked.

Not much to watch though except maybe for a feel-good time pass.

Can skip.

Kariyilakkattu Pole (Like a Zephyr of Dry Leaves)

Even before I start writing anything about the movie, I want to confess that I am in love with the name of the movie. It is like reading the first line of a Kamala Das or Amrita Pritam poem. And it becomes even more sublime when you consider the fact that the movie is not a sufiana ode of love and longing, it is a crime\mystery\thriller.

Mystery dramas are my guilty pleasure. I read and re-read Agatha Christie, Feluda, Sherlock Holmes etc. like a maniac. I watch all mystery shows on TV and movies of this genre. Lack of good mysteries (and not crime\thriller) in Bollywood movies is my constant source of consternation.

Thankfully Malayalam movies come in handy. The fabulous CBIseries, Paleri Manikyam: Oru Pathira Kolapathakathinte Katha (Amidnight murder story). Add to these Mammootty and Mohanlal starrer Kariyilakkattu Pole. I could not guess the killer till the very end :)

The movie starts with the dead body of a noted film writer and director Harikrishna (Mammootty) at his cottage where he retreats while writing. DSP Achuthankutty (Mohanlal) is assigned to investigate the murder. The investigation team finds various clues at the crime scene, all of which point to the fact that a woman had committed the crime.

The only problem is that it is soon revealed that there are at least three women who had a grudge against Harikrishna in addition to the fact that he was an incorrigible womanizer.

I always hesitate when I write about a murder mystery because, I don’t want to give away any indication about the killer. In this case, all the three women seem to have a strong motive for murder and each of them is hiding something during the investigation.

All the actors in the movie have given excellent performances. The ambiguity of Mammootty’s character where you never know his true intentions, the calm yet commanding demeanour of Mohanlal and the shroud of secrecy surrounding the characters of Karthika, Sripriya and Unni Mary will have you riveted to your seat.

P. Padmarajan who wrote and directed the film has kept the movie fast paced and editing crisp where every moment takes the story forward.

For those who love this genre, you will not be disappointed.

Do Watch.

Vadakkumnadhan

It’s exciting to get back to a Mohanlal movie after such a long time. He is after all my all-time favourite actor.

Vadakkumnadhan is the story of Bharathan (Mohanlal), who is an acclaimed scholar of Sanskrit and Vedas. He is a professor and engaged to Meera (Padmapriya) who is also his student. Just before his wedding day, Bharathan starts behaving strangely. He walks out of an award function, resigns from university, burns his books and hits his fiancé. Ignoring it as an aberration from his otherwise calm demeanor, the family goes ahead with the wedding as planned.

On the wedding day, Bharathan disappears, presumably to witness Kumbh Mela. A year later, a sage comes back from Himalayas, carrying his ashes. The whole family, including Meera are heartbroken.

Five years later, when the family is visiting Haridwar on a pilgrimage, they are reunited with Bharathan. Then unravels the story of Bharathan's strange behavior and his disappearance.

There is an element of suspense in the movie and the build up to that is quite gripping. The director leaves you guessing as to why a learned, well-mannered and kindhearted man would disappear without any reason.

Unfortunately, for me unraveling of the mystery wasn’t quite as powerful as the built-up. For a moment, I almost thought that the director must be inspired by Tarkovsky’s Sacrifice.

It’s an interesting movie still, and Mohanlal has done justice to the role he plays which brings to light the duality of his character. Padmapriya while there doesn’t really add much to the story or to the movie.

First half is quite well directed and fast paced, though the movie does succumb to a little melodrama and introduction of an unnecessary villain. I also feel the director couldn't decide the genre of the movie - drama or romance or suspense.

Still worth a watch.

Can Watch.

Hallo

Hallo is to Mohanlal, what Dabangg2 is to Salman Khan…story that could have been…moments that could have been…bad music…wasted actors…relying solely on out of place antics of a star…

I do know Dabangg2 will break a lot of box office records this year and from what I understand Hallo did as well.

Anyways here goes…

Shivaraman (Mohanlal), a lawyer by profession is now an unabashed alcoholic blaming his parents and brother, a police officer for the untimely demise of his lover.

Parvathi (Parvathi Menon) is the daughter of an extremely wealthy Marwari. Her family members apparently are after her life and she is trying to escape their clutches. Unfortunately she is kidnapped, but somehow manages a phone call which connects her to Shivaraman. He figures out the hideout by recognizing the ‘bar’ sign Parvathi describes and rescues the damsel in distress. Rest of the movie is a tussle between Shivaraman and Parvathi’s family. I can now write about tons of loopholes in the plot and absolutely silly story…but I am not going to waste my time doing it.

Music is as bad as it can get. Direction and editing don’t deserve a mention. Mohanlal looks ridiculous doing those antics and Parvathi Menon looks like a bimbo and acts like one for good measure.

DVD is available with Moser Baer with subtitles - Hallo

Do Skip.

Kanmadam

Another Mohanlal movie...Vishwam (Mohanlal) is a reformed thug living in Mumbai with his close friend Johnny (Lal). Though Vishwam earns an honest living, the police don't leave him alone and keep on troubling him. Johnny on the other hand is still true to the old ways and works as a pimp.

One day while waiting for Johnny, a guy gets into Vishwam's taxi and forces him and Johnny to drive on. A fight ensues, and the guy ends up dead. Vishwam and Johnny flee from the scene. Vishwam realizes that the guy left a bag in the car and goes through its contents. Along with some money and gold he discovers some letters from Damu's (the dead guy) sister Bhanu (Manju Warrier), imploring him o come home quickly as they are under severe debt and bank is threatening to take away their land. He also learns that Damu was cheated by a visa guy.

Feeling morally obligated, Vishwam, decides to go to the native village of Damu and help his family. On reaching there, he realizes that Damu’s three sisters and grandparents are living in abject poverty with some nasty villagers teasing the girls and making there life miserable. The second sister, Bhanu is carrying the burden of the family on her shoulders and thus is very harsh and bitter.

Vishwam slowly mingles with them and repays all their debts. Going is good till his good-for-nothing friend Johnny comes from Mumbai in search of him.

A slow paced, very non melodramatic movie. Mohanlal has of course done a good job but kudos to Manju Warrier as well. At times, I could feel the helplessness, the doomed existence, the cynicism that she portrayed on screen.

Definitely not everyone’s cup of tea.

The DVD is available with subtitles with MoserBaer.

Can Watch.

Spatikam (Prism)

Finally Two years after I bought the movie I finally saw it.

The movie is a story of a real life rowdy called "Aadu Thomas", played by Mohanlal. Let me first start with the name of the movie, I absolutely love the fact that many Malayalam movies have well thought out names ( contrast that too the barrage of names with pyar mohabbat dil etc. in Bollywood ). It's a simple story with no shenanigans. Son of an acclaimed Math teacher, Thomas runs away from home at an early age, unable to bear the atrocities of his strict father who wants him to become a math scholar. He returns many years later, still unaccepted by his father, ends up becoming a rowdy almost revered by the people he helps. A corrupt police officer makes life miserable for Thomas and most of the movie is his rebellion against the system.

What's interesting about the movie is the way it weaves the friction between the father and the son as a backdrop amidst all the action.

While the story is simple, the storytelling is fast paced and interesting. Without much melodrama, Mohanlal gives a superbly restrained performance and carries the entire movie on his shoulder. And of course it stars the original Silk Smitha ;)

Watch it like you are reading a short story.

The DVD is available with Moser baer with subtitles - Moserbaer - Spatikam

Can Watch.

Twenty:20

Firstly I must say it's a feat in itself to pull off a movie with the stellar star cast as that of this movie. Mammootty, Mohanlal, Dileep, Suresh Gopi and all others. The director and the producer have truly done a remarkable job in getting all these people together.

Now about the movie, which is a murder mystery of sorts, has enough twists and turns to keep you riveted. Arun, grandson of a famous retired judge is Implicated in murder of a student. Ramesh (Mammootty) is a famous advocate who comes to the rescue. Arun is declared innocent and released. But soon Arun is murdered and police arrests Devan (Mohanlal) for the murder. His mother and sister request Ramesh to take the case, pleading innocence.

Ramesh believes Devan to be innocent and agrees. Devan is released. But soon Ramesh realizes that something is amiss and starts investigating. Thus unravels a complicated story of revenge, deciet and murder.

While performances, given the star cast, are stellar, it is the story which lacks crispness. The initial builtup of the judge Vishwanathan is quite useless, similarly the revenge motive of the SP (Suresh Gopi) stressed at various points in the movie does not play any part in the plot.

Another weakness is the timing of the twists. Unlike an Agatha Christie novel, where the plot changes just when you guess the murderer, here the twists come a second too soon or too late taking the edge out of the story. Also the movie could have done with massive editing.

Overall an interesting plot and good performances.

Can watch.

Udayananu Tharam (Udaya is the Star)

Today I saw the movie which was later remade into Vellitherai in Tamil. Since it is an almost exact reproduction, for the story please see the review of Vellitherai - http://manymorewoods.blogspot.com/2010/05/vellitherai-silver-screen.html

Even though I knew the story of the movie I enjoyed watching it. Mohanlal plays Udayan and Sreenivasan plays Rajappan. Mohanlal gives a superbly restrained performance. Where Prithviraj (playing the same character in Vellitherai) comes across as an angry young man, Mohanlal is slightly more sophisticated and mature. Prakash Raj played a much more melodramatic form of Sreenivasan and I must say, I felt that Prakash Raj brought more color to the movie. After all the satire on cinema should be slightly exaggerated...

Again, Good direction, interesting script, superb performances.

(Do Watch)

Thanmathra (Molecule)

Finally a Blessy movie which makes some sense...

After having watched Bhramaran and Calcutta news, I had lost faith in his direction but Thanmathra proves that it’s not a lose cause yet. The movie begins with the life of a simple man Ramesan Nair (Mohanlal). He lives with his wife Lekha (Meera Vaasudevan), son Manu (Arjun Lal) and daughter. He works at the secretariat. His aim is to make sure that his son becomes an IAS officer. He is absolutely involved in bringing up his kids, teaching them and is himself has a very gifted memory and even lectures at his son’s school on memory techniques.

His is a small and perfect family.

The first anomaly we see is when at his hometown he forgets the nickname of a childhood friend. Not much later he forgets the lyrics of one of his favorite songs. This really frustrates him and he rushes out of a bath without drying himself when he remembers the lyrics. Slowly after that his life starts unraveling and he forgets an important file in the freezer. He even goes to the doctor who initially attributes his forgetfulness to the stress caused due to his son being in class XII.

But then he turns up at office one day with vegetables and behaves as if he is at home. Soon the situation gets out of hand and his good friend Joseph takes him to the hospital. His father (Nedumudi Venu) also comes from the village. The doctor informs the family that Ramesh is suffering from Alzheimer’s and the family needs to be prepared for it. Throughout this the son Manu behaves very maturely and handles the entire crisis.

Ramesh’s father decides to move the family back to the ancestral home so that they can take care of Ramesh. Thereon we see slowly the degeneration of Ramesh while his family watches.

The movie is well directed especially because it tackles an issue like Alzheimer’s very sensitively. While watching the movie, initially I felt that the director is rambling aimlessly but after he starts showing the effects of memory loss on Ramesh you realize the importance of the initial background the director gave. In my personal opinion the technique of moving between past and present that Blessy later used in Bhramaran could have made this film a little crisp. Nevertheless he successfully tells the story of Ramesh in a very poignant manner.

What disappointed me in this movie are the performances. The fundamental reason for that could be that the actors and the director might not have done their background research in actually studying a patient of Alzheimer’s. To understand the nuances of their behavior, to see how the disease reduces a person to a vegetable, you actually have to spend some time with a person suffering from it and with the family taking care of the patient. But our Indian actors are above all this. They can just wake up and play any character. As a result Mohanlal’s performance is melodramatic and all Meera Vasudevan does on the screen is cry. Arjun Lal, looks extremely unnatural as the dutiful son.

The film has its moments but falls short of expectations.

(Can Skip)

Devasuram

There is something very unique about the directors and script writers from Kerala. They have uniquely engaging style and a continuity in the movie they make\write.

Devasuram is one such film. Mangalassery Neelakantan (Mohanlal) is the son of a famous personality but does nothing except wasting away his father’s wealth. The only actual passion he has is for music and appreciates ad patronizes local artists.

He himself is a gifted musician but lacks the self discipline. He is also at loggerheads with another feudal family in the village and there are frequent fights between the two camps. Neela has a trusted advisor Warrier (Innocent) who takes care of his daily affairs.

The rival gang corners Warrier and beat him up one day. To retaliate Neela’s friends decide to hire a thug to rough up the rival leader but instead the thug ends up killing him. He then goes into hiding.

Meanwhile Appu master (Nedumudi Venu) is a drunkard with two daughters. He has sold all his land and has taken multiple loans for the dance education of his elder daughter Bhanumathi (Revathi) who is very gifted and is all set to go to Delhi to further her career as a dancer.

Neela restores an old concert hall near the temple and the villagers want to plan a grand opening. They decide to invite Bhanu to dance at the temple. When Neela’s men go to invite her, she rebukes them and sends them away for their rowdy behavior. Later Neela apologizes to Appu master and pays him the token amount to have Bhanu perform at the temple. At the last minute after the artists are ready Neel forces Bhanu to perform in front of him and his friends in his courtyard for insinuating them earlier. Bhanu though forced to dance is furious and vows never to dance again till Neela’s death. Warrier believes, she has cursed the family.

Shortly after that Neela’s life starts to disintegrate one thread at a time. The killer who had gone into hiding is caught and demands a huge sum to keep quiet. As a result Neela has to sell his ancestral land for peanuts to a buyer he had refused earlier.

Hard times also fall on Bhanu and her family as they have to give up their house to the debt collector. They start living at a relative’s house who misbehaves with Bhanu. Hearing their plight Neela sends Warrier to bring the family to live with them and Bhanu has to relent under pressure from her father. Meanwhile, Neela’s mother is not keeping well and stays with her brothers. When Neela goes to visit her he learns a terrible secret about his birth which completely shatters him. His mother dies soon after.

Neela decides to change for the better. Meanwhile Bhanu’s relative comes and offers them a place to stay. Soon after in a fight Shekharan from the rival family runs down Neela and he is paralyzed.

The rest of the movie is about how Bhanu supports him in this difficult time and how they rediscover each other.

No doubt the movie is engaging and fast paced and has the kind of attraction Godfather has. I still feel the characters needed to be etched out more. They don’t get to show individuality and seem to be always giving in to circumstances.

Mohanlal again delivers a superb performance. Revathi is not too impressive.

Fast paced, engaging.

(Can Watch)

Nadodikattu… (Wandering Wind)

So the thing about movies in languages you don’t understand is that you either enjoy a brilliant storyline or superb performances or something that makes the movie worth watching in that language and not the one you actually can understand. So even if a movie might be entertaining, to a person who does not understand the language it will come across as very mediocre because it is like one of the million movies that one has already seen.



Nadodikattu is one such movie. Bringing Mohanlal and Sreenivasan pair to the screen, in their early days, the movie is no doubt a typical masala movie. It reminded me of the countless Manmohan Desai kind of films I have seen and enjoyed.

Ramdas aka Dasan (Mohanlal) and Vijayan (Sreenivasan) are two friends working in a company as peons and dreaming of steady government jobs. Dasan is slightly high and mighty on account of his being a B.Com. graduate while Vijayan has only done Pre degree. They eagerly wait for the new MD to join so that they can request him to give them appropriate jobs. By some quirk of fate instead they get thrown out of the office. Their landlord helps them get a loan from the bank to start selling cow’s milk and ends up selling them sub-standard cows so that they are unable to make ends meet. With loan sharks behind their backs they decide to bribe a boatman to take them to gulf. Instead the boatman tricks them and they end up in Chennai. On the beach a bunch of smuggles mistake them for smugglers and hand them a suitcase full of narcotics. Like any law abiding citizens they take it to the police and end up in police custody. What follows is cat and mouse chase where the don ends up thinking that Dasan and Vijayan are CID sleuths.

Meanwhile, in Chennai they take up a house for rent and their neighbor is Radha (Shobhana) and her mother. Dasan and Radha develop a special bond and Radha helps him start selling vegetables. A local politician tries to get them to vacate their houses so that he can build a hospital on that land. Dasan tries to stop him and his goon. Through all the confusion ultimately both the don and the politician want to kill Dasan and Vijayan. The final climax happens in an abandoned mill where the politician and the don are finally arrested by the police. Police, to award Dasan and Vijayan gives them jobs in the force. And all live happily ever after…

Like a said a typical eighties movie combining social problems (unemployment, crime and poverty) with right amount of lightheartedness, romance, fights and happy endings. You will appreciate the movie if you understand the local nuances.

For people who do not understand Malyalam,

(Can Skip)

Bhramaram

The movie tells the story of a simple jeep driver Sivan Kutty (Mohanlal) who is convicted of killing a classmate in school. After his release 21 years later, he changes name and his family moves to a different village to settle. Rid of the past, he is happily married with a new identity and has a loving wife and daughter. The wife is blissfully unaware of the past. But the past catches up when she learns of the truth accidently. She leaves Sivan Kutty and goes to her parents place with their daughter. Distraught Sivan Kutty goes in search of his classmates who can prove that he is innocent and was falsely accused of a crime he did not commit.

In the city we see Sivan Kutty mysteriously appearing in the lives of Unni (Suresh Menon) and his wife and daughter. He tells his name is Jose and Unni is unable to place him in his class. Later on Unni realizes his true identity and feels threatened. This is actually the part of the film which is decently done where Unni feels terrorized by the presence of Sivan Kutty and tries to get rid of him. However Siva forces Unni to journey with him to tell his wife and daughter that it is not he who had committed the crime but Unni. From this point onwards the movie takes a turn for the worst and is irredeemable. The rest of the movie is Siva’s journey back to his hometown with Unni with a very predictable end.



I felt that the director was completely confused and could not decide what flavor to give to the movie. So while first half seems like an urban drama of a yuppy couple with a past, the second half seems a semi-horror film with a psychotic killer on loose. And if you have a star like Mohanlal in the movie you definitely have to throw in some absolutely uncalled for fighting sequences. The two halves actually seem like two different movies.

Mohanlal for his bit has acted well, but then that is accepted of a star of his caliber and then too this performance is nothing compared to his earlier movies. Rest of the actors are not even average and don’t even deserve a mention.

Overall the movie had a promising script and could have been a movie to be reckoned with but instead suffers with lack of coherence and dismal direction.

(Do Skip)

Bharatham

A story which will resonate in bits and pieces with every family, Bharatham is a movie par excellence. A story of two brothers, both exceptional singers and what can be called a version of sibling rivalry; or a story about rise and fall in life; or story of finding the escape from the burden of your own fears; or more importantly a story depicting the circle of life.


Nedumudi Venu is a well known Carnatic singer who with age takes to drinking. Soon it interferes with his singing to the extent he collapses on stage mid-performance. Mohanlal, the younger brother and apprentice takes the stage and soon wins over the audience for his powerful, soulful and creative singing. Nedumudi Venu unable to accept the backseat falls apart. What follows is a poignant tale of how he reconciles with his destiny. But that’s not all; there is a twist in the tale that tells you that while you may be mortal, life is eternal and times it’s not about choosing one over the other but simply that you must pass on what you got.

The movie is not just a story of two brothers but a moving tribute to art. The elder brother must pass on his art and blessing to the younger brother for the tradition to continue, but there is always personal ambition to account for and the film delicately delves on the dichotomy between the two. On the part of the prodigy, he must carry forward what he learnt but in the process he owes it to the teacher a debt which can never be repaid.



Mohanlal and Nedumudi Venu have given stellar performances and it will be easily one of the best roles of their lives. Very down to earth, no frills performance. It actually reminded me of a few Ingmar Bergman movies I have seen, similar to Vaanaprastham in its treatment. I will simply not have the right words to justify Mohanlal's performance. His dedication, his talent, his burden, his anguish and dilemmas stay with you. It’s as if he is a musician.

I definitely cannot end the review without mentioning the music. Though I do not really understand classical Carnatic music but I can tell you that the music stays with you.

Beautiful script, superb direction, stellar performances, brilliant music.

(Must Watch)

Manichitrathazhu (The Ornate Lock)

A poignant story of how our mind can trick us into believing anything and how our lives our shaped by the baggage of the past we carry. Dealt with subtlety, carefully etched out characters and realistic humor make the movie a must see.

For me this movie is one of the finest examples of what cinema is all about – engrossing two hours of complete entertainment.

A young couple (Suresh Gopi and Shobhana) move into their ancestral home and are plagued by small inexplicable accidents. Not attributing it to blind superstition and suspecting potential mental illness of one of his cousins (Vinaya Prrasad), Nakulan (Suresh Gopi) calls on his friend (Mohanlal as Dr. Sunny Joseph)who is a famous psychiatrist in America currently travelling in India. Mohanlal makes his appearance close to the interval and from then on movie takes the form of this thrilling psychodrama with brilliant twist in the tale.

The plot revolves around Dr. Sunny uncovering the source of the strange happenings at the mansion and helping the protagonist recover from her affliction. Mohanlal plays the character of slightly eccentric shrink with ridiculous histrionics which leaves you in splits. Though central to the movie the character is subdued and nowhere overshadows the movie.


This movie definitely belongs to Shobhana who plays the protagonist, for the portrayal of innocent, loving and simple Ganga and the fierce, passionate and revengeful Nagavalli. There is actually a scene in which she transforms from one character to another in front of Dr. Sunny which leaves you completely spellbound. Beautiful haunting music which will echo in your ears much after you are done watching the movie.

Fazil must be applauded on his superb direction, though there are one or two scenes which are on the verge of melodrama.

The success of the movie led it to be remade in almost all major the “woods” of Kannada, Tamil, Telugu, Bengali and finally Hindi. The DVD is available with subtitles at the leading stores.

(Must Watch)