I have ignored this blog for a long time. Reasons both
actual and imaginary had me convinced I didn’t have enough time to do this.
Well, what to say, I miss this and there’s always time J
After my long hiatus, the first movie I saw was something I
had been waiting to see for quite a while – “Ustad Hotel” starring Thilakan,
Dulquer Salmaan and Nithya Menen in the lead.
I haven’t really seen any other Indian movie about food, and
I love all the English ones I have seen, from Chocolat to Chef, No reservations
and even Woman on Top (with the long-lost Penelope Cruz). So naturally, I was
quite excited to see Ustad Hotel. It’s a story of a young guy “Faizi” who wants
to be a chef dishonouring his father’s long standing dream to see him do an MBA
and run a five-star hotel in Dubai (Awww so many clichés in one sentence).
Born to Abdul Razzaq, who migrated to Dubai, leaving his
pregnant wife with four daughters only to find out that the fifth child was a
much-awaited boy (and they keep on coming, them clichés). The wife dies and the
father brings the four girls to run his kitchen and to bring up the boy (aint
that the only thing girls are born to do) to Dubai. Well the kid grows up and
is only passionate about one thing in life “food”, so skilfully depicted in the
film as he twirls the ladle, rolls the dough and flips some cutlets all while
his loving sisters cut vegetables and give him soulful approving looks. And
now, our hero has a choice of colleges and countries (UK or US) to choose for
his MBA. Lo behold, he discovers a third country called Switzerland and dupes
his father to go to a cookery school. Trust me, his father never saw the name
of the school even while paying the college dues.
The prodigal son returns, to be informed that he is gonna
get married off to finalize a business deal. Our naïve “swiss trained”, “job in
London” chef goes on to meet the girl even while his firang girlfriend back in London
is waiting to put a down payment on a London apartment. The girl (sensibly so)
turns down the proposal on discovering, he is a chef or cook.
Father is mad, takes away his passport, uncle smuggles him
back to India to his grandfather who owns the best Biryani restaurant aka hotel in Kozhikode. Grand pa wants to
teach the kid humility or business or God knows what but makes him run around
carrying rice sacks, cleaning tables, making deliveries etc. Finally, he gramps
shows some pity and gets Faizi a job at the adjacent five-star hotel.
The story is now how he impresses the fusion food toting Paris chef, charms the staff at ustad hotel and rekindles the friendship with the same girl from Dubai his father wanted him to marry. It’s just gulf, we don’t need an explanation of how the girl turns up India and becomes a rock chic.
Anyways, Faizi turns around the hotel, saving it from the
clutches of an evil banker and hotel tycoon.
And now, the final lesson awaits.
This swiss trained chef has learnt how to cook but now needs to learn why he cooks…dah. Gramps in a dramatic turn of events is in the hospital with a mild attack and sends Faizi to Madurai. There he meets up with another chef who was once with “Taj”. Now, he runs his own kitchen to feed the needy and the old. Just like that Faizi gets inspired and drops his plan for a job abroad, to manage and run the Ustad Hotel.
All's well that ends well.
I know, I know, I write reviews, not rant for the lack of
any creativity is some movies I have seen recently.
But unfortunately for Ustad hotel, I saw it on the heels of
Jolly LLB 2 (that’s a saga-esque rant for another day). For once, I was hoping
Ustad Hotel will turn out to be a movie extolling the younger generation for believing
their dreams and taking up their passions even those involving being a world
class chef. But the scriptwriter, director, producer just couldn’t let that
happen, could they?
There is a moral to be told. Some lesson to be learnt.
Everything is not about money or being the best at what you do. Nah nah nah…unless
you are saving the humanity, getting rid of hunger and (wait for it….) world
peace….
Dulquer Salmaan, has no expression…movie begins and ends and
I am not even sure I registered him. Had to google multiple times before
figuring out who he is (and to my surprise he is in O Kadhal Kanmani). Nithya Mennon hardly
had any screen time. Thilakan is the only one who did justice to his role. A
man who has been there, done that and figured life. No wonder every time he
looked soulful there was a trio of Sufi dancers in the background. Seriously, the
director needs to know (Anwar Rasheed), the audience really doesn’t need to be spoon fed to that
level. (This reminds me, I must write about La La Land)
So in short, movie begins with a promise, however clichéd,
but fails miserable in the second half.
Don’t waste your time.
Do skip.
(On a separate note, if any Bollywood wallahs want to adapt this, with minor modifications, and a better cast, it can be an entertainer.)
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