Aparan (The Other)

So, I saw another Padmarajan movie 😊

This one is also a mystery\thriller. Unfortunately, the print I had, had very sketchy subtitles. This did ruin the movie a little bit. It’s a little distracting when you are not able to understand what the people are saying on the screen. Despite that I hope I can do justice to this review.

Vishwanathan (Jayaram) is a young man in a small Kerala village. He lives with his parents and sister and is looking for jobs. Apparently, he has been to quite a few interviews but without any success. The family who is waiting to get the younger daughter married, is eagerly waiting for Vishwanathan to find a job.

He gets an interview call for a job in Kochi. While there, he steps into a restaurant for some tea and is accosted by two goons. They accuse him of stealing money and start beating him. Vishwanathan begs them and tries to explain that they are mistaking him for someone else but they don’t pay any heed. Eventually the police arrive. They arrest Vishwanathan and accuse him of being an infamous fraudster. Fortunately, the chief of that police station turns out to be George Kutty (Mukesh) an old classmate of Vishwanathan and he releases him.  

It turns out that there is a doppelganger of Vishwanathan who is a criminal. Even police have limited knowledge of his background and identity. Eventually Vishwanathan joins the company in Kochi. There he meets Ambili (Shobhana) and falls in love with her. One fine day, Ambili accuses Vishwanathan of abusing her in an auto. Thankfully, he was in office with his boss at that time and manages to convince Ambili of this doppelganger. Soon, people start coming up to him accusing him of cheating them, so much so that his sister’s betrothal breaks because the uncle of the groom accuses him of pickpocketing. In a similar misunderstanding with his boss, he also ends up losing his job.  

Vishwanathan decides to find out about this lookalike and bring him to justice. With the help of George, he finds out his background and learns that he was an orphan and a little older than him. He decides to impersonate the evil doppelganger and starts hanging out at his frequented places. Eventually someone mistakes him for the criminal and takes him to a remote location. Another man ends up paying him 1 Lakh for killing someone and another 50K for a second murder.

Vishwanathan comes back and decides to run away with the money. He is about to go to his native village when a phone call comes for him. This is the evil lookalike. He demands his money.

Vishwanathan still manages to run away to his native with the criminal in pursuit. After making sure that he has evaded the criminal, he makes his way to his home only to see his family crying near a dead body. Apparently, its him.

This movie could easily have passed off for a Hitchcock. In fact, mistaken identity is the theme of “North by Northwest”. But that’s where the similarity in the plot ends, and it is as riveting as any Hitchcock. It will keep you riveted to your seat.

The fact is that you never really see the evil doppelganger, and only hear him once through the phone call. You still end up hating this faceless, nameless criminal. You feel sorry for the poor protagonist, who for no fault of his is caught up in this web. You pray and wish that the criminal is caught and pays dearly for the trouble he has caused. This is no small feat in movie making.

Building a persona just in our minds, is a work of pure genius. Additionally, at times you don’t really know who is who. Given the circumstances, can Vishwanathan also become his doppelganger, especially when he is trying to impersonate him. The duality keeps you on edge throughout the second half.

In the last scene when you see Vishwanathan smirking, you aren’t really sure, if it’s him or his doppelganger or if he has actually become the criminal.

Jayaram has done full justice to the role. From an innocent village boy to a desperate man defeated by this unknown lookalike and then to man on a mission to find the one who has tortured him, he slips into these personas with ease. Shobhana hardly has any screen time and rest of the cast doesn’t leave an impression. But then it is not their story, it is the story of Vishwanathan and "the other".

Do watch.

Koodevide (Where is your nest?)

After watching Padmarajan’s Kariyilakkattu Pole, I just couldn’t wait to get my hands on the rest of his movies. Then my friend reminded me that he had given me a whole lot of them (with subtitles) earlier. So, I am in movie heaven 😊

I love such real life paced movies. Koodevide is set in Ooty, where Alice (Suhasini) teaches in a boarding school. She lives with her brother who is in the army along with Captain Thomas (Mammootty). Alice and Captain Thomas like each other.

A local MP’s son gets transferred to the school where Alice teaches mid-term. He had been shunted across various schools and was taken in by the Principal only because of the MP’s pressure. Ravi (Rahman) is a troublemaker from the word go. He gets caught in Alice’s class and is sent to the Principal’s office for a warning. Principal instructs Alice to be strict with him and not give him any leeway. Infact he can’t wait to throw Ravi out of the school. Alice feels sorry for the boy. In a heartfelt moment, she notes – what is the hope for the boy when the entire world is waiting for him to become a criminal.

From then on, Alice starts paying special attention to him, giving him responsibility and encouraging him. She also learns that his mother died at a young age. In her own way, she tries to be the motherly figure for Ravi. Soon we see remarkable progress in Ravi.

Meanwhile, in an unfortunate training accident Alice’s brother dies. Bereft, she decides to focus more on her work. She and Capt. Thomas also come close and decide to tie the knot soon.

One of the evenings Ravi comes to Alice’s house to give her something when Captain is also there. He does not like Ravi at all and suspects his intentions. Alice ends up seeing a very angry and jealous Thomas. Till now, with her brother, he had always been jolly and easy-going, albeit prone to too much drinking. Alice is a little surprised to see this side of Thomas and tries to reason with him.

Soon after this, Thomas starts objecting to Alice meeting Ravi and throws violent fits of anger whenever he sees them together. He ends up drunk at her house at midnight and creates a storm.

Alice starts revisiting her decision to marry Thomas which further enrages him.

In an inebriated state, Thomas comes looking for Alice, and not finding her goes to various places she is likely to be found. He bumps into Ravi and starts abusing and hitting him. A fight ensues and Ravi is accidentally killed.

Repentant, Thomas surrenders to the army police.

This is one of those reviews where the summary will not do justice to the movie. It is next to impossible to capture various nuances in the movie.

The scenes from the boarding school and the teenage love of Ravi for a fellow student will instantly take you back to your school days. And we all have that one teacher who guided and mentored us.

For me the movie belonged to Mammootty. His transformation from a brother’s friend into a jealous and irrational lover and gradual and riveting. From periods of sanity and regret to violently laying his claim on “his woman” – Mammootty is par excellence.

This is the kind of movie I wish, the international film festivals for critically acclaimed cinema saw. At par with Fellini and Bergman. Human emotions in their most complex form shown ever so subtly.

Rahman has done a good job as a teenage boy embroiled in situations outside his comprehension.

Padmarajan is a director par excellence. His kind of movies is the reason I started this blog. In my own small way to make people aware of the great cinema that India has.

Must watch.

Kariyilakkattu Pole (Like a Zephyr of Dry Leaves)

Even before I start writing anything about the movie, I want to confess that I am in love with the name of the movie. It is like reading the first line of a Kamala Das or Amrita Pritam poem. And it becomes even more sublime when you consider the fact that the movie is not a sufiana ode of love and longing, it is a crime\mystery\thriller.

Mystery dramas are my guilty pleasure. I read and re-read Agatha Christie, Feluda, Sherlock Holmes etc. like a maniac. I watch all mystery shows on TV and movies of this genre. Lack of good mysteries (and not crime\thriller) in Bollywood movies is my constant source of consternation.

Thankfully Malayalam movies come in handy. The fabulous CBIseries, Paleri Manikyam: Oru Pathira Kolapathakathinte Katha (Amidnight murder story). Add to these Mammootty and Mohanlal starrer Kariyilakkattu Pole. I could not guess the killer till the very end :)

The movie starts with the dead body of a noted film writer and director Harikrishna (Mammootty) at his cottage where he retreats while writing. DSP Achuthankutty (Mohanlal) is assigned to investigate the murder. The investigation team finds various clues at the crime scene, all of which point to the fact that a woman had committed the crime.

The only problem is that it is soon revealed that there are at least three women who had a grudge against Harikrishna in addition to the fact that he was an incorrigible womanizer.

I always hesitate when I write about a murder mystery because, I don’t want to give away any indication about the killer. In this case, all the three women seem to have a strong motive for murder and each of them is hiding something during the investigation.

All the actors in the movie have given excellent performances. The ambiguity of Mammootty’s character where you never know his true intentions, the calm yet commanding demeanour of Mohanlal and the shroud of secrecy surrounding the characters of Karthika, Sripriya and Unni Mary will have you riveted to your seat.

P. Padmarajan who wrote and directed the film has kept the movie fast paced and editing crisp where every moment takes the story forward.

For those who love this genre, you will not be disappointed.

Do Watch.