Marupakkam (The Other Side)

I stumbled on this movie on Amazon Prime. I absolutely love the way Amazon and Netflix are not just bringing international content at our doorstep but are also making local content more accessible. With subtitled versions of regional cinema, I do hope many more people understand and appreciate this form of art.

A Tamil movie after a long time. I like watching Tamil movies because of all the South Indian languages, I am most familiar with Tamil.

Marupakkam is directed by K. S. Sethumadhavan who is actually a Malayalam director. He is a winner of ten national awards with a lot of critical acclaim as well for many of his movies. I hope I get my hands on some more of his movies in the future.

Marupakkam is based on a story by Indira Parthasarthy. The story starts with Ambi (Sekar), son of an orthodox Tamil Brahmin Vembu Iyer (Sivakumar), who is visiting his hometown with his newly wed Christian bride. Unfortunately, they are not welcomed by his father. Four years later, we see Ambi returning alone to his native on learning of his father’s illness. His father once an erudite brahmin, has now lost most of his movement and doesn’t speak. He hardly recognizes anyone. Apparently, he learnt of Ambi’s separation from his wife and that shocked him into this state.

Through bits and pieces, Ambi realizes that his father has a guilty conscience regarding his first wife Avayam (Radha), and even in this semi-conscious state keeps on repeating her name. Avayam was an accomplished dancer and singer. Vembu Iyer’s mother did not approve of her dancing and forced him to divorce Avayam. He was unable to support his wife and probably realized his hypocrisy once he learned that father’s sins were being repeated by the son.

Through Vembu Iyer’s reminiscences, we see just how much he was in love with Avayam and secretly encouraged her. Unfortunately, he couldn’t stand his ground when it came to supporting her in front of his widowed mother who strongly disapproved of the fine arts. A learned philosopher like Vembu Iyer was unable to answer Avayam when she asked the reason for his objections – do you have conviction? This formed the root cause of his guilt ridden vegetative state.

Sivakumar as Vembu Iyer will make you introspect your own choices in life. Jayabharthi who plays Ambi’s mother and Vembu Iyer’s second wife Janaki, does deserve a mention. A loving mother, dutiful wife, she grew up believing that Avayam was of loose character. However, in the last scene when she sees Avayam while Vembu Iyer is on his deathbed, we see a new understanding dawning on her face. In one stroke, she understood her husband’s guilty conscience.

It’s a simple movie, apparently shot in 14 days with a budget of 12 lacs. Yet it delves on the complex issues of right and wrong. Does it matter being learned if you are unable to stand for the truth? At the same time, how do you kindly oppose someone’s unflinching orthodox views, especially when that someone is your mother.

I would say, very relevant in today’s world. How do we embrace our past and ethos without inheriting senseless prejudices?

Maybe the movie will strike a chord in you.

Do watch.

Satyanweshi (The Truth Seeker)

When a movie is based on a book, how do you review it? Should you watch it just as a standalone movie with an independent screenplay or should you compare it to the actual story? If two people review it, one who has seen the movie directly and one who has read the book followed by the movie then which one to follow. It’s a dilemma.

I recently ended up watching Rituparno Gosh’s Satyanweshi which is one from the Byomkesh Bakshi series. In the Hindi speaking diaspora, this character was made famous by Rajit Kapoor when he starred as Byomkesh Bakshi in Basu Chatterjee’s series aired on Doordarshan.

Originally this detective was created by the Bengali writer Sharadindu Bandyopadhyay.

Satyanweshi is based on the story “Chorabali” or Quicksand. So, I saw the movie first, then I saw the Rajit Kapoor episode and then I read the translated story in English. Humphhh…a tad obsessive you might say.

Consequently, I have seen two versions of the same story before writing the review and have also read the original story. Now, I can’t quiet decide what road to take for the review.

Let me try.

First, the Rajit Kapoor episode is a word by word reproduction from the story. When I read the story, I could hear Rajit kapoor’s voice in my ears. Hence, we can bundle up the two for the purpose of this review. Very scientific eh! A=B.

The movie Satyanweshi, follows the basic plot of the story. It is set in much earlier times though, of kings and queens and not just Zamindars. Himangshu is the king of Balbantpur and invites Byomkesh Bakshi and his companion Ajit for a hunting holiday. On reaching the estate they immediately realize something is grossly wrong. They learn that the librarian, Harinath has disappeared and the queen blames the king.  We see, there are many divergent plots which are not there in the original story. First, two conditions by Himangshu’s father for him to fulfil, if he is to inherit the kingdom - Himangshu cannot marry a non-Hindu girl, and must produce a legitimate heir within three years of his marriage. Second, while Dewan is kali worshipper Kaligati in the original story, here these are two separate characters. Kaligati is the family physician and has a young daughter. He is initially shown fleeing with two daughters from some other kingdom and one of the daughter mysteriously dies on the way. He lands up at Himangshu’s father’s doorstep and asks for shelter. Himangshu’s father realizes that Kaligati belongs to special sect of people who can mimic any animal and gives him special place in his palace. Third is introduction of the queen and one of the motive’s for Himangshu to harm Harinath. Alka, Himangshu’s wife and the queen is very close friends with Harinath. Harinath was particularly erudite in literature and was an accomplished vocalist. Alka, herself a singer and an aspiring actress in her single days greatly admires Harinath and finds solace in his company. Another angle to the whole plot is the mystery surrounding the name Balbantpur, which very frankly was a little far-fetched for me.

Unfortunately to write anything meaningful about the movie I will have to reveal the plot. So, if you haven’t seen the movie, proceed with caution.

In the original plot, Harinath who is the math tutor for Himangshu’s daughter, has supposedly disappeared with some account books and some cash. Byomkesh over the course of his investigation realizes that Harinath has succumbed to some evil plot and is dead. Kaligati is the old dewan of Himangshu who can mimic various animals. There is an old hut near the edge of the estate, it has the jungle on one side and a sand towards the backdoor. As luck would have it, Byomkesh and Ajit discover that the sand is actually quicksand. Byomkesh lays a trap and Kaligati is killed by Himangshu. It is revealed that Kaligati was embezzling from Himangshu and when Harinath discovered his treachery, Kaligati lured him to the hut and he drowned in quicksand.

In Satyanweshi, there is a completely different twist in the plot. Alka, has sexual aversion and has no interest in consummating her marriage and as a result cannot provide an heir to Himanghu to fulfil his father’s conditions. She sends Leela, Kaligati’s daughter with Himangshu for a hunting trip resulting in Leela getting pregnant. Kaligati hides the pregnancy from everyone and sends Leela away. Harinath is in love with Leela. One day he follows Kaligati and ends up at a dilapidated hut in the jungle. To his surprise, he finds Leela there with a newborn. He decides to marry Leela there and then. Kaligati arrives and is surprised to find Harinath with Leela. He learns of their marriage and promises to get Leela to the temple the next day. He directs Harinath to follow a path so that no one knows of his meeting Leela (to safeguard her honour) and Harinath falls into the quicksand and dies.

Kaligati wanted to live his last days as kings’ son’s grandfather instead of just a commoner and hence this deception.

Overall the movie had me glued to the screen. For someone who doesn’t know the story there is enough suspense. I quite liked Sujoy Ghosh, as Byomkesh Bakshi. He looks intellectual and a thinker but quick on his feet. Anindya Chatterjee as Ajit very frankly looked like a baboon. Apologies for such a harsh critique, but he smiled and acted like one too. Indraneil Sengupta as Himangshu looks the part. However, his portrayal of a worried husband, falsely accused by his wife was very one dimensional. Some shades of grey, which made you doubt his innocence would have added some much-needed gumption to the movie. There were no hair-raising moments and while you couldn’t pinpoint the motive, Kaligati remains the only suspect throughout. Arpita Chatterjee as Aloka as frail hopeless wife played the part. I wish her character was better defined. There was no real need for her to be frigid. It served no purpose in the movie. Similarly, the fact that Kaligati could mimic a tiger and a mould of tiger paw is found in his suitcase again remained a loose end.

This movie was the last movie directed by Rituparno Ghosh before his death. While he had finished most of the shooting, the remaining parts and post production was done by his team. I am not sure if the movie would have looked the same if it was released in Rituparno Ghosh's lifetime.

Just for that.

Can watch.

Royal Bengal Rahasya

Yay!

I am super thrilled. Amazon Prime has finally added subtitles to its Bengali movies and that includes the Feluda and Byomkesh Bakshi series.

Disclaimer: I have read the entire Feluda series earlier and absolutely love the detective.

For those who do not know Feluda - Prodosh Chandra Mitra or popularly known as Feluda is an investigative detective. He along with his nephew Topshe and a popular writer Jatayu (joined in the later series) frequently get invited to solve mysteries. This series was written by Satyajit Ray who also directed some of the episodes initially. Later Sandip Ray took up the direction.

Royal Bengal Rahasya is a thriller based on the Feluda series with same name. Here Feluda is invited by Mahitosh Singha Ray to help him with some urgent matter. Ray is a known tiger hunter and lives in the jungles of West Bengal. On their arrival, they are greeted by the young secretary who assists Ray.

Feluda learns that Ray found an old puzzle amongst his great grandfather’s letters and wants Feluda to solve it. Feluda surmises that the riddle gives the location of a hidden treasure. Soon the secretary or Tarit Sengupta is found dead in the jungle as if eaten by a man eater tiger. Coupled with the mysterious childhood friend Shashank and the mad older brother Debotosh, the plot will keep you guessing.

I will not write more about the story because it has been adapted with most of the plot intact. Except I do like the fact that there is a lesser reference to hunting and boasting about it. When the novel was written, hunting was probably still a royal sport which does give it a gruesome outline in the modern context.

I do like Sabyasachi Chakrabarty as Feluda. He looks the part without being overly dramatic though I must say, he is not a patch on Soumitra Chatterjee. I had seen the initial Feluda films starring Soumitra Chatterjee quite some time back. Bibhu Bhattacharya is fabulous as Jatayu and provides the comic relief much like the character in the books. In this particular title, Paran Bandyopadhyay who plays the mad brother Debotosh Singha Ray has done an excellent rendition of a mad man. No theatrics, just slight twitch and the look in the eyes. Saheb Bhattacharya as Topshe is just there nodding his head.

The movie itself maintains the suspense, and doesn’t divulge the details before time. Though I feel it needed some more hair-raising moments.

Can Watch.

Nammal Thammil

Amongst all these great movies I also managed to see Nammal Thammil, primarily for Prithviraj. But I must confess, after about fifteen minutes into the movie, I absolutely couldn't take it any more. Barely managed to watch the movie in fast forward.

For the basic plot, please visit -
https://en.wikipedia.org/wiki/Nammal_Thammil

Rather, I will suggest don't bother. Much better stuff to do if you have time at hand, even doing nothing will be worth more.

As you can guess,

Do skip.

Aparan (The Other)

So, I saw another Padmarajan movie 😊

This one is also a mystery\thriller. Unfortunately, the print I had, had very sketchy subtitles. This did ruin the movie a little bit. It’s a little distracting when you are not able to understand what the people are saying on the screen. Despite that I hope I can do justice to this review.

Vishwanathan (Jayaram) is a young man in a small Kerala village. He lives with his parents and sister and is looking for jobs. Apparently, he has been to quite a few interviews but without any success. The family who is waiting to get the younger daughter married, is eagerly waiting for Vishwanathan to find a job.

He gets an interview call for a job in Kochi. While there, he steps into a restaurant for some tea and is accosted by two goons. They accuse him of stealing money and start beating him. Vishwanathan begs them and tries to explain that they are mistaking him for someone else but they don’t pay any heed. Eventually the police arrive. They arrest Vishwanathan and accuse him of being an infamous fraudster. Fortunately, the chief of that police station turns out to be George Kutty (Mukesh) an old classmate of Vishwanathan and he releases him.  

It turns out that there is a doppelganger of Vishwanathan who is a criminal. Even police have limited knowledge of his background and identity. Eventually Vishwanathan joins the company in Kochi. There he meets Ambili (Shobhana) and falls in love with her. One fine day, Ambili accuses Vishwanathan of abusing her in an auto. Thankfully, he was in office with his boss at that time and manages to convince Ambili of this doppelganger. Soon, people start coming up to him accusing him of cheating them, so much so that his sister’s betrothal breaks because the uncle of the groom accuses him of pickpocketing. In a similar misunderstanding with his boss, he also ends up losing his job.  

Vishwanathan decides to find out about this lookalike and bring him to justice. With the help of George, he finds out his background and learns that he was an orphan and a little older than him. He decides to impersonate the evil doppelganger and starts hanging out at his frequented places. Eventually someone mistakes him for the criminal and takes him to a remote location. Another man ends up paying him 1 Lakh for killing someone and another 50K for a second murder.

Vishwanathan comes back and decides to run away with the money. He is about to go to his native village when a phone call comes for him. This is the evil lookalike. He demands his money.

Vishwanathan still manages to run away to his native with the criminal in pursuit. After making sure that he has evaded the criminal, he makes his way to his home only to see his family crying near a dead body. Apparently, its him.

This movie could easily have passed off for a Hitchcock. In fact, mistaken identity is the theme of “North by Northwest”. But that’s where the similarity in the plot ends, and it is as riveting as any Hitchcock. It will keep you riveted to your seat.

The fact is that you never really see the evil doppelganger, and only hear him once through the phone call. You still end up hating this faceless, nameless criminal. You feel sorry for the poor protagonist, who for no fault of his is caught up in this web. You pray and wish that the criminal is caught and pays dearly for the trouble he has caused. This is no small feat in movie making.

Building a persona just in our minds, is a work of pure genius. Additionally, at times you don’t really know who is who. Given the circumstances, can Vishwanathan also become his doppelganger, especially when he is trying to impersonate him. The duality keeps you on edge throughout the second half.

In the last scene when you see Vishwanathan smirking, you aren’t really sure, if it’s him or his doppelganger or if he has actually become the criminal.

Jayaram has done full justice to the role. From an innocent village boy to a desperate man defeated by this unknown lookalike and then to man on a mission to find the one who has tortured him, he slips into these personas with ease. Shobhana hardly has any screen time and rest of the cast doesn’t leave an impression. But then it is not their story, it is the story of Vishwanathan and "the other".

Do watch.